Objektivi

Druga generacija popularnega standard zoom objektiva za FF fotoaparate prinaša novo elektroniko z dvojnim procesorjem (MPU) za izjemno hiter in natančen AF, pa tudi močno izboljšam sistem optične stabilizacije s kar 5 stopnjami. Objektiv ima eBAND in fluorine coating ter je zatesnjen pred vlago in prahom. Svetlobno močan, cenovno ugoden objektiv  SP 24-70mm F/2.8 Di VC USD s konstantno f/2,8 zaslonko, vgrajenim stabilizatorjem slike in hitrim USD AF motorjem, primeren za FF fotoaparate.

Visokozmogljiv objektiv USM s povečavo ima zaslonko f/2,8 in stabilizator slike, zato je odličen za fotografiranje pri šibki svetlobi.

Druga generacija popularnega standard zoom objektiva za FF fotoaparate prinaša novo elektroniko z dvojnim procesorjem (MPU) za izjemno hiter in natančen AF, pa tudi močno izboljšam sistem optične stabilizacije s kar 5 stopnjami. Objektiv ima eBAND in fluorine coating ter je zatesnjen pred vlago in prahom. Svetlobno močan, cenovno ugoden objektiv  SP 24-70mm F/2.8 Di VC USD s konstantno f/2,8 zaslonko, vgrajenim stabilizatorjem slike in hitrim USD AF motorjem, primeren za FF fotoaparate.

Prenovljen ultra telefoto 150-600mm objektiv s hitrejšim ostrenjem premikajočih se subjektov in krajšo minimalno razdaljo ostrenja. Izboljšan stabilizator slike s 4,5 stopnjami in 3 preset načini delovanja, eBAND in fluorine coating  ter nov Flex Zoom Lock sistem (možnost zaklepa zoom obroča v katerikoli poziciji.  Arca Swiss kompatibilna noga.  Primeren za fotografiranje v naravi, divjini (wildlife) in šport.

Prenovljen ultra telefoto 150-600mm objektiv s hitrejšim ostrenjem premikajočih se subjektov in krajšo minimalno razdaljo ostrenja. Izboljšan stabilizator slike s 4,5 stopnjami in 3 preset načini delovanja, eBAND in fluorine coating  ter nov Flex Zoom Lock sistem (možnost zaklepa zoom obroča v katerikoli poziciji.  Arca Swiss kompatibilna noga.  Primeren za fotografiranje v naravi, divjini (wildlife) in šport.

A lens with relatively few glass-air surfaces, it was developed by Dr. Ludwig Bertele at ZEISS in 1930. At the time it was one of the fastest high-speed lenses for 35 mm photography, with apertures as large as 1:1.5 and high contrast thanks to effective stray light reduction. Its high speed and high contrast helped give the lens its name, which is derived from the word “sun,” the symbol of maximum brightness. You continue to find the aforementioned benefits with modern lenses in the normal and telephoto ranges whose optical design is based on this basic type.

The Planar lens design is the most successful – and most frequently copied – camera lens design of all time. Modifications to the tried-and-tested six-lens basic type ensure that it achieves the high imaging quality required by modern sensors. Lenses with a Planar optical design enable consistent performance across a large range of image scales – the key requirement for universal macro-lenses.

The Planar lens design is the most successful – and most frequently copied – camera lens design of all time. Modifications to the tried-and-tested six-lens basic type ensure that it achieves the high imaging quality required by modern sensors. Lenses with a Planar optical design enable consistent performance across a large range of image scales – the key requirement for universal macro-lenses.

Based on special types of high-index optical glass from the Schott Glaswerke and Dr. Paul Rudolph's optical design, the Tessar lens achieved world renown for its definition: the eagle eye of your camera. The ZEISS Tessar lens originally featured a four-lens design and is reflected in the product name: Tessar is derived from the Greek word tessares, meaning four.

Based on special types of high-index optical glass from the Schott Glaswerke and Dr. Paul Rudolph's optical design, the Tessar lens achieved world renown for its definition: the eagle eye of your camera. The ZEISS Tessar lens originally featured a four-lens design and is reflected in the product name: Tessar is derived from the Greek word tessares, meaning four.